Statement

I make art about how we remember and how technology changes what we keep, what we lose, and what we think is real.

I am interested in the parallels between human experience and technological systems of recording, storage, and preservation. In both cases, what is kept is always partial. What is lost is often invisible. What remains can appear stable, even when it has already been altered by the processes that carry it forward. My work grows from this tension. I use different media to explore how images, sounds, systems, and structures shape the way reality is experienced, recorded, and re-encountered over time.

My long experience as a programmer is central to this approach. It allows me to work from within the logic of technological systems rather than treating them as distant themes. I am not interested in technology as spectacle. I am interested in the assumptions built into it: what it preserves, what it leaves out, how it transforms the material it handles, and how it quietly reshapes our relationship to memory, perception, and belief.

A wider concern in my work is the growing gap between the speed of technological change and the slower ways human beings make meaning. Our tools evolve rapidly, while the everyday concerns of human life remain much closer to those of earlier history. This mismatch can produce forms of disorientation that are difficult to name, even though they shape daily experience. Through my work, I try to create spaces in which these conditions can be felt and reflected on. Rather than offering fixed conclusions, the works invite viewers to consider how reality is held in place, and how fragile that process can be.