Alex May (b. 1972) is a British contemporary artist whose practice focusses on the cultural and societal impact of digital technologies, and forges creative links between art, science, and technology through a wide range of digital new media, including virtual reality, photogrammetry, algorithmic photography, robotic artworks, video projection mapping, interactive installations, generative works, performance, and video and sound art.
His international exhibition profile includes Tate Modern, Ars Electronica, The Francis Crick Institute, LABoral (Spain), the Victoria & Albert Museum, Royal Academy of Art, ZHI Art Museum (China), Wellcome Collection, Science Museum, Bletchley Park, Eden Project, Goldsmiths, One Canada Square in Canary Wharf, the Museum of Contemporary Art in Caracas (Venezuela), the Science Gallery in Dublin (Ireland) and Bengaluru (India), Princeton University, University of Calgary (international visiting artist 2016), Texas A&M University, and the Beall Center for Art + Technology, University of California, Irvine
He gives talks about many aspects of digital art, art/science collaboration, digital preservation, and public engagement with social robotics through art (UCLA, USC, School of Visual Arts (SVA) New York, University of Boulder, SUNY, TEDx Bucharest, Chelsea College of Art (in conversation with curator Robert Storr), Waag Society in Amsterdam, ICT2013 European Commission Digital Agenda event in Vilnius, Gray’s School of Art in Aberdeen, British Film Institute in London, Ahmed Shawky Museum in Cairo) and runs workshops for artists using his own software (UCLA, for Fluxmedia at Concordia University in Montreal, International Symposium on Electronic Art (ISEA) in Istanbul), and gave the 2012 Christmas lecture for the Computer Arts Society.
Alex is a Visiting Research Fellow: Artist in Residence with the computer science department of University of Hertfordshire since 2011, and a Digital Media Arts MA sessional lecturer at the University of Brighton since 2012, and the University of Hertfordshire since 2019.
He is head of Projective Geometry at The Institute of Unnecessary Research.